Blogging a Three Paragraph Essay Review

Immigration Policy, Criminalization and the Growth of the Immigration Industrial Complex: Restriction, Expulsion, and Eradication of the Undocumented in the U.S. by Jesse Diaz, Jr.

Suppression

 In the essay, "Immigration Policy, Criminalization and the Growth of the Immigration Industrial Complex: Restriction, Expulsion, and Eradication of the Undocumented in the U.S.", by Jesse Diaz, Jr. she discusses the stereotypes of immigrants being "criminals" has made made anti immigrant sentiment stronger and has created more support for polices that do more harm to immigrants rather than good. Diaz does a great job providing some insight and statistics on how immigrants experienced more violence towards them rather than inflicting violence on others. She also talks about the stereotype of the linkage between immigrants and crime. 

The Mexico- United States border

 The first idea that Diaz tackles on is the ties of immigrants and crime. I believe she does a good job of providing research she has done like, "from the beginning of the 19th century, racially motivated stereotypes employed by the dominant class and law enforcement agencies have served to justify and reinforce associations made between people of color and crime that have fueled the implementation of restrictive and exclusionary immigration policies."(Diaz, 36). She also talks about the idea of "nativism" and how it has affected many of the early migrants and the many labors that they went through. "This nativism also led to enacting restrictive policies against various groups of immigrants of color, culminating in federal policies that virtually blocked their presence in the U.S. once they had been used for their labor" (Diaz, 36 &37). I feel that Diaz has some very intriguing information about the many labors that many of the early immigrants went through and by providing quotes by other scholars makes the essay more believable. Diaz also tackles on the stereotype of linking immigrants with crimes and even provides quotes from other scholars. "Indeed, hostility targeting Mexican immigrants is particularly acute, especially near the México-U.S. border. For example, Kil and Menjívar (2006) equate the U.S. “war on drugs” as the “war on the border.”" (Diaz, 42). 

Nativism in America Today

 The essay overall provides great insight on what the real statistics and consequences that are associated with immigrants's early struggles and I think her takes on all of it has a great impact on many of the readers who have gone through or have families that have been through the same things. I also like many of the information that she provided was quoted by other scholars as well and she is able to provide their names in association with their statistics of different information regarding immigrants. All in all, I can really tell that Diaz was passionate in writing the essay and their was never a moment in the essay where I felt that any of the information she provided felt wrong or misleading. 

Viewing/Blogging The Other Side of Immigration

The Other Side of Immigration Video Blog

Define the term agency and explain how individuals in the video entitled The Other Side of Immigration taking agency? 

What responsibility does the Mexican government have to support Mexican farmers? In what ways would Mexican government support of Mexican farmers change the immigration pattern?

What are the consequences for families in Mexico when millions of Mexicans migrate to the U.S.?

 The term Agency means when someone is taking power of their own volition. For example when someone is hungry and they take agency and get food. The individuals in the video entitle The Other Side of Immigration taking agency as the Mexican government not being able to provide for the people and therefore pushes out the Mexican workers to migrate to America and work for better pay. The Mexican migrants are pulled into a new country that gives them a better promise of a job, and this is known as the Push and Pull factors of Agency. The responsibility that the Mexican government has to support Mexican farmers is not really there for them because of the lack of capital.

Poster for The Other Side of Immigration

 Without capital the economy in Mexico is lacking and if they were to get support from the government their would definitely be less immigrants from Mexico. The Mexican government also does not inform it's people so it's very hard for the workers to support their own government. The consequences or sort of drawbacks for families in Mexico when millions of Mexicans migrate to the U.S. is that the kids are not able to see their fathers for many years and some don't even come back. The wives of the immigrants are also left to worry about how they get into the country with the fear of the desert travel and the wild animals that are out there. Some children of the workers that leave for the U.S. don't have a father figure to put them in their place and are left to abuse drugs and turn to gangs as a family. 

     

Reading Response/Blog Entry : FF, BB Chapter 2

Fresh Fruit, Broken Bodies by Seth Holmes

"How many migrant workers are in the United States? How many are immigrants? What percentage of agricultural workers are from Mexico? How many are unauthorized?"

In chapter 2 of Fresh Fruit, Broken Bodies by Seth Holmes, there are about 175 million migrants in the world. There are about 95% of agricultural workers from Mexico and about 52% of them are unauthorized. The statistics were quite bizarre to me because although the book was released in 2013 there are about 327 million people in the U.S. right now and if the statistic were put into perspective that is a little more than half of the population of people who are migrants. I also learned that the Mexican government is not really providing for the farmers of Mexico which was some of the many main reasons as to why so many people migrated to the U.S. The "Save Our State" initiative in the chapter, which was a proposition that was passed in 1994 that basically denied public services such as health care and education to people that are "reasonably suspected to be undocumented," kind of annoyed me because some if not most of the migrants are harmless and are just looking for better opportunities not only for themselves but for their families back at home and if they were to get sick and die then the family would not only be left with no income but also the grieving of a lost loved one. 

Struggles of Migrant Workers from Mexico

Blogging the Museum Visit

Blogging the Museum Visit
March 29, 2019
Sacramento Crocker Art Museum - Arte extraordinario

"Celebrating Hubris with Hijinx" by Juan Carlos Quintana

The artwork that I selected my research on was "Celebrating Hubris With Hijinx" by Juan Carlos Quintana. He was born in America in 1964 and he wanted to provide a humorous tone to his piece. His piece also captures a sort of culture where racist hate groups and xenophobic attitudes are emboldened. The motivation for the piece was hubris, incompetence, arrogance, folly, and violence are being witnessed to the people of that culture. Juan is also known for breaking away from Mexican muralism and for depicting strange and often malformed figures. In a Visual art source page, I was able to find information regarding Quintana's artwork and sort of the reasoning and purpose behind his pieces. The piece was seem to be made in 2017 and his pieces are known to be both "didactic and cryptic". Quintana is searching for a just world and portrays his characters as heroes and villains in a disorderly time where the heroes are actually seen as being defiant and we're also being reminded that music is "defiantly blissful in the face of adversity". I believe that this basically means that music is a way of showing one's happiness even if the world around them is in a sort of chaos. Juan's paintings also portray a "humorous and raucous open ended narrative full of inflatable dancing blow-up men, predatory housing billboards that promote wealth inequality and gentrification, and nouveau riche on their way to a trendy art fair".

Background Knowledge about the piece at
Crocker Art Muesum

  I also believe that in this specific piece it captures what it is actually like to have the "American Dream", and the reason I say that is because in the piece it has the man in underwear happily drinking beer with another lady but below him are a variety of different figures feeling the complete opposite. At the bottom of the piece it has a forearm laid down while holding what looks to be a mariachi looking cheese strip and robbers to the right of it. I think with this part, Quintana uses humor in his piece because of the forearm and the head of a police man on top of a tree stump. The forearm holding the yellow looking mariachi strip may be a representation of the culture being held back in today's society and the robbers may just be a representation of money being a massive problem in our society since it's very scarce for many people and it also determines how wealthy or poor someone is. With the left figure in yellow sunglasses and the figure to the right of it with the hat and what looks to be a gun, 

Notes I took at the Museum on the piece

I think that this portrayal is a representation of the happiness but also the fears of being in America and that although their are joys that come with being here, it is also filled with chaos like government issues or police brutality. The woman on the far left may be a representation of alcoholism and I believe this is due to the fact that her eyes are blacked out and she looks kind of empty. The skull person may just be a representation of everyone being exactly the same and by this I mean that everyone is basically human and should be treated equal. The figure with the banjo represents how music helps cope with the struggles in the world and that no matter how bad it gets, music will help. 

Picture of me with "Celebrating Hubris With Hijinx" by
Juan Carlos Quintana.

Overall my museum experience went quite well, I was able to enjoy going with three of my close friends, one being my girlfriend and since it was the morning time there wasn't that much people and the traffic was not to bad. It was overall really quiet inside most of the rooms but it was really interesting seeing a variety of different pieces and being able to interact with some of the pieces was very fun. When it was quiet I tried my best to just keep up the pace with my friends because I found myself really invested and stuck staring into a lot of the pieces and reading some of the descriptions with the pieces. I found myself sitting down a lot because I would get tired from walking around and looking at all the artwork and the workers all seemed like they were in a good mood so I think that helped with the experience.

One of the Rooms at Crocker Art Museum

   

Reading and Blogging: Finish Popol Vuh

Reading and Blogging: Finish Popol Vuh

March 20, 2019

The Popol Vuh by Allen J. Christenson

 The Hero Twins at the end of the Popol Vuh had actually made humanity and were able to beat the Xibalbans by achieving their ultimate goal of resurrecting One Hunahpu and Seven Hunahpu. When Hunahpu's head had been restored by tricking the Xibalbans into believing that the chilacoyote squash was the actual head, the Hero twins sacrificed themselves and the Xibalbans thought that they had won. The Hero twins had actually been resurrected but only as people fish then orphans. As they appeared as orphans they were able to hide their face from the Xibalbans and danced before them and while all this was happening, the gods of the underworld has asked them to sacrifice a dog then it was revived and they also burned a home that was soon restored.

Hero Twins as Sun and Moon

 The Hero twins also sacrificed themselves and still managed to get revived again but what the Xibalbans didn't know is that this was all part of their plan. The Xibalbans were so fascinated and convinced that these orphans were doing these actions so One Death and Seven Death asked the Hero twins to actually sacrifice them. One Death was first sacrificed but was not revived and Seven Death was grabbed next but was not killed. The Hero Twins then let all of the Xibalbans who they were and told them about One Hunahpu and Seven Hunahpu and all the Xibalbans were apologizing and thus Xibalba was defeated. With this victory Humanity had actually been created and the Maize god was created. Their father, Hun Hunahpu was resurrected and became the Maize god and the twins actually became the Sun and moon. The actions of the Hero twins explain the origin of the Maya people by showing what type of methods were used to trick opponents and shows the sort of origin of how everything was essentially created, not just the ball game. The story of the Hero twins also helps to give a better understanding about the idea of sacrifice and how it's not looked at as a bad thing but rather a sacrifice in order to gain something good back.

Hero Twins against the Seven Macaw

     

Reading, Watching and Blogging: Popol Vuh video

Reading, Watching and Blogging: Popol Vuh video
March 15, 2019
The Popol Vuh : Mayan Creation Myth Animated by Patricia Amlin

 After watching the animated video there are a couple differences between the video and Popol Vuh book that I saw. A couple of the first differences I saw were that in the video, it talks about how the evil lords of the underworld would kill and sicken people and that they wanted a ball. In the book, the evil lords are more annoyed by the stomping of the ball game so they call upon the twins. In the video it also has the evil lords talk with deep voice so it kind gives an idea of how evil they were.

Popol Vuh Characters

 In the video it left out how they lords would play in seven days because in the book the lords wanted to play the ball game against the hero twins in seven days. In the video it also forgets to put a scene in the book were the falcon gives out a cry to notify the ball players of his presence which was, "Wak-ko! Wak-ko!" and afterwards in the book they hero twins actually shot the falcon with a pellet from a blowgun which is not shown in the video.
  One other difference was when the Seven Macaw was shot in the jaw he called upon old people to help him but in the book it was actually a grandfather and grandmother that helped the Seven Mccaw. In that scene of the video it also doesn't talk about how the grandmother and grandfather planted maize in the Seven Macaw's jaw.
  In addition to the section where the Seven Macaw was introduced, the book has that scene in the beginning section way before the Hero twins enter Xibalba where is the video it has the defeat of Seven Macaw right before. When the Hero Twins arrive to Xibalba they came to four crossroads which were the Black, White, Red, and Blue Road but in the video it only talks about how the Hero twins passed over the Pus and Blood River on their blowguns.

Drawing of the Hero Twins

 In the book where the scene of the Twins and lords of the underworld play the ball game they use a ball that has a skull drawn on to it but in the video it shows them using an actual skull in the ball game. In the second trial that the Hero Twins go through which was in the House of Blades in the book but in the video it was called the House of Knives.

Xibalba Drawing by atisuto17

 In the video when the Hero twins are in the House of cold they use tree stumps to make a fire to prevent them from dying but in the book it just says that the twins dissipated or exhausted the cold. Soon after the House of cold was the House of Bats but in the book it first talks about the House of fire which was skipped over in the video by the House of Bats. In the video the house of Bats was a scene where Hunahpu was beheaded and then jaguar deer called upon animals to bring food and then a pumpkin was replaced for the head and then the Heart of sky added brains and finished the face of Hunahpu but in the book a squash was used by the coati.
 With all the changes in differences between the book and the video I still feel that the video did a great job at describing the stories of the Maya. I think that having voices for the characters gave a sort of humor to the stories and the animations were really well done for it's time. I felt like the animations gave a better understanding because although the book gives a fair description of what's happening, I felt like the video make the descriptions in the book come to life and gave more meaning to them.

 

Latino USA- "24 Hours at the Border"

Latino USA- "24 Hours at the Border"
March 12, 2019
By: Maria Hinojosa & Maggie Freleng

In the Latino USA podcast, "24 Hours at the Border," it talks about how Donald Trump has been fighting for the past two months with congress over the funding of the wall. Trump has made claims that the Democrats are not funding the wall and as a result of that he shut down the government. Maria Hinojosa and Maggie Freleng went to Texas to visit the communities that were going to be affected or already affected by the wall. Maria and Maggie visited the La Lomita Chapel in Texas because it was one of the locations where the wall could potentially cut through. The chapel was built in 1895 and it's pastor Roy Snipes is very aware of the situation that could occur. The church is very small and people have prayed there for over 150 years. Father Roy continues to pray for the church and community around him.

La Lomita Chapel in Mission, Texas

The people of the chapel are actually trying to sue the government for their actions with no sense of remorse. Throughout all this stress, there is a river near the chapel called "Blue Eyes," that Father Roy uses as sort of an escape and relation of mind. According to Roy, the river actually signifies history, romance, and adventure. Unfortunately there are border patrol boats that patrol the river that Maria and Maggie actually get the chance to see. Both Maggie and Maria headed over to Brownsville where a "dragtivist" protest was going on and they were having a drag show on the wall that was already built in that area. The protest was also a fundraiser for the LGBQT community and people actually used the wall as a backdrop when they danced. Maria and Maggie were then called by Mike Benevidez who runs a group called "Teens Brownsville", which is basically a community of asylum-seekers in the Brownsville community. Mike and a few volunteers bring food and provide shelter to asylum-seekers on both sides of the border. He also helps people in a building in the middle of downtown Brownsville where people from India, Cuba, Ecuador, and Bangladesh come to seek help. Most, if not all of these people were released from immigrant detention facilities one of which was in a facility for more than two years and was not released until the day Maria and Maggie interviewed him. One of the woman Maria talked to was being threatened in her country so she had no choice but to flee to the U.S. Mexican officials also try to move people from being in public places like the park and Mike actively asks people everyday what necessities they need and he makes an extra effort to bring it to them. Maria talked to a father with his daughters and he told Maria that the reason he had fled his country was because his daughter had been raped so he fled Honduras and came to the U.S. because he thought it would be safer place for his children. Everyone mainly sleeps in tents and there are a lot of children and towards the end of the day Maria and Maggie go with Mike only to see a white van that drops off two women at a bus station and Mike immediately helps them because they had just come from an ICE facility. The women had been in the detention facility for about 8 to 15 days and had no idea where to go until Mike came a long to help. Maria saw that the women had a look of numbness in their eyes that she would never forget. I really enjoyed how Mike's efforts was really beneficial for all those people going through hell and he makes time out of his day before work to help each and every one of them as much as he can. I also liked how people at the protest were dancing and partying while using the wall as a backdrop. I think what really annoyed me was how the wall affects a lot of people and places like the chapel and I also didn't like how asylum-seekers would be dropped off randomly with no information of where to go next. One topic that I think the radio show could have covered was maybe more about the women asylum-seekers and compare the difficulties for them versus the males. In an article in the New York times, "Deportation Looms, and a Father Prepares to Say Goodbye" by Julie Turkewitz, it revolves around Jorge Zaldivar came to the country illegally in 1997 and he has 5 children who had to say goodbye to him about 7 times and in late February, his stay was denied so he had to say goodbye to his family so they all went to the federal immigration building. Everye was crying as him and his wife walked to the building but not too long after he came back out and was given a month postponement but would have to come back with some sort of bus or plane ticket showing that he was leaving. I chose this article in particular because it focuses on the hardships on immigration and how much it affects these massive amounts of families and it's really tough to not only go through but witness as well.
                                   Deportation Looms, and a Father Prepares to Say Goodbye

Jorge Zaldivar hugging his children

 

Reading and Blogging : Flowering of the Dead

Reading and Blogging: Flowering of the Dead
March 12, 2019
The Flowering of the Dead: An Interpretation of Highland Maya Culture
by Robert S. Carlsen & Martin Pretchel

In the Flowering of the Dead, the article centralizes around the idea that Mayans continued to prolong their culture and adapted the external realities around them. It also talks about how even after the Spanish took over the Mayans land, they were still able to hold their ground and keep fighting for what they believed in. The Maya were also able to adopt a fake front of Spanish influence external but at the same time keeping their Maya culture internal. The Mayans also created a term known as Jaloj-K'exoj which was used to guide the transformations of the local Maya culture configuration. Jaloj-K'exoj was also a helping tool for explaining the cultural patterns which emerged from the Conquest period. The article also explores the idea of Flowering Mountain Earth which I believe to be is about how Atitecos, or people of Santiago Atitalan, still embrace the "old religion" but not all Atitecos share the same religious knowledge. It explores how the old religion is being forgotten but then the concept of being Atiteco or a Costumbrista starts to make a come-back. It was also difficult to grasp on to the old religion too because of the many other religions that were being adopted like Catholicism. Jal is also mentioned to be "the change manifested in the transition to life through birth, through youth and old age, and finally back into death."

El Día De Los Muertos In Guatemala And Mexico 

With K'ex, the article explains that it's the change in generation continuing in life together forming with Jal to form a "concentric system of change within change, a single system of transformation and renewal." The article also talks about how Atitecos were able to portray their understanding of the world through myths, rituals, and beliefs. I believe that the Flowering Mountain Earth represented a sort of plant that represents the different seasons a human life cycle goes through. Atitecos were also able to perceive a likeness between the life cycles of plants and humans which is why the Flowering Mountain is mentioned. It is also mentioned in the article that a grandparent's namesake is referred to as k'exel which means 'my replacement' that becomes the symbolic parent of the biological parent. The different concepts appear in the Popul Vuh for example with the Quiche word for 'spittle', k'axaj which is derived from the same root as K'exoj. Another example is that the "Popul Vuh's excursion into explicit philosophy' attests to the importance of what Atitecos call Jaloj-K'exoj to the ancient Quiche Maya" and that is also clear the "Popul Vuh is clear that the process guides the transformation and renewal of more than just anthropomorphize deities and humans."

Another image of Día de los muertos. Guatemala.

Reading and Blogging: Popul Vuh

Reading and Blogging: Popul Vuh
March 4, 2019
Popul Vuh by Allen J. Christenson

One example of the cycle of life and death is on page 121, where One Hunahpu and Seven Hunahpu enter Xibalba or also known as the underworld. The two were playing on the ballcourt above the underworld and were called upon by One Death and Seven Death to come to Xibalba and left behind their mother and rubber ball. The concept of life and death is used in this scene by One Hunahpu and Seven Hunahpu being alive in the chapter until the end were they enter Xibalba where they are technically dead and later to come out and provide knowledge of the underworld. "We must go, but we will not die. Do not grieve," (Christenson 121).

Carving of Xibalba

One example of the struggle with nature is on page 92 when the Seven Macaw is introduced and claimed to be the sun and "desired only greatness and transcendence before the light of the sun and moon were reveled in their clarity." (Christenson 93). The concept of struggle with nature is used in this chapter by Seven Macaw sort of describing himself as sort of a god or sun god but is actually similar to a bird because of it's beak and feathery wings. "This, my beak, shines brightly far into the distance like a moon." (Christenson 92).

Drawing of Seven Macaw by Pernastudios

One example of present tense narration is on page 67 where the Primordial World is introduced and described as empty and sounds of the sea along with the sight of the sky are the main appearances in the chapter. The concept of present tense narration is used when Christenson himself  seems like he is speaking in the Primordial World and is describing the environment and things around him. "There is not yet one person, one animal, bird, fish, crab, tree, rock, hollow, canyon, meadow, or forest. All alone the sky exists." (Christenson 67).

Gods creation of earth from primordial sea

One example of humor is on page 97 where the Seven Macaw is ambushed by Hunahpu and Xbalanque that resulted in the Seven Macaw getting shot by a pellet into his jaw. The concept of humor is used when the Seven Macaw goes home to his wife and says then he had been shot by two demons but is in fact the demon himself. "What have you got there?" asked Chimalmat, the wife of Seven Macaw. "What is it?" "Two demons shot me. My jaw was dislocated by them, and now my teeth torment me with pain." (Christenson 97).

Hunahpu shooting Seven Macaw from a Classic Mayan vase

 

Latino USA- "Hollywood’s Obsession With Mexico"

Latino USA- "Hollywood’s Obsession With Mexico"
February 21, 2019
By: Antonia Cereijido

In the Latino USA Podcast, "Hollywood's Obsession With Mexico," Antonia Cereijido talks to Luis Reyes who made the book, "Made in Mexico: Hollywood South of the Border," that is about the role of Mexico in Hollywood Film-making. In the podcast I learned a number of various things. I learned that the U.S.'s production of films in Mexico has been around since the Mexican Revolution. Luis Reyes had the privilege of working on Hollywood films specifically those of which were filmed in Mexico and is a good reason as to why he made the book. I also learned of Pancho Villa who was a famous Mexican revolutionary general that had a film called "Life of General Villa" made after him by D.W. Griffith but only fragments of the film are found since no one can find the whole feature film anymore. D.W. Griffith also made "The Birth of a Nation" which was the first ever film that was shown in the White house. Reyes talks about another film-maker by the name of Emilio Fernandez who was also Mexican and was used as a model for the Oscar statue because of his strong physique and attractive looks. Emilio was also known as one of the most creative film directors of the Golden Age of Mexican cinema in the 1940's and 1950's. John Huston was another film-maker that was mentioned because he was one of the first film-makers that was filming in Mexico. John filmed the movie called, "The Night of the Iguana," (1964) in a place that used to be a fishing village but since the actors were there so many paparazzi wanted to take pictures of the production and crew which led to the village becoming into a world class resort city and it's called Puerto Vallarta. . Another fact that was mentioned was that Durango was a famous filming location in northwest Mexico for both American and Mexican films. Over 100 films were actually filmed in Durango and this locations was made famous because of the actor known as John Wayne. Wayne also known as the "Duke" was famous for cowboy action films like "True Grit" and "Stagecoach." I also learned that Titanic was another film that was actually filmed in Mexico along with the old Tarzan film. Titanic was filmed in Rosarito, Mexico at Baja Studios. The studio was actually built from the ground up specifically for the movie and all the people on the ship except for the key cast are of Mexican descent. The darkest Mexicans in the film were actually portrayed as the Greek, Italian, and Polish immigrants of the ship. Reyes also brought up how 20 years later after the Titanic film, Leonardo DiCaprio won an Oscar off of an Mexican directed film which was "The Revenant," by Alejandro González Iñárritu. Spectre was also another film that was filmed in Mexico, specifically Mexico City, and it was a James Bond film and the opening sequence took place during a Mardi Gras like parade for the Day of the Dead. Mexico City now has Day of the Dead parades because of the famous scene from the film. A film that was mentioned at the end of the podcast was Roma which is a Mexican film that is currently being nominated at the Oscars for best picture. A reason a bring up the film, Roma, is because in a news article by the New York Times they talk to and travel with the director of Roma to revisit the sights and sounds of the neighborhood that inspired the film. The news article by Kirk Semple explores Alfonso Cuarón's old neighborhood and some of the many streets and people of Mexico City. The film is mostly shot indoors in a house that was made to closely resemble Cuarón’s childhood home in Roma. The article also talks about how the area was once popular with wealthy residents but were then taken over my middle class and crime and other complexities of urban life was also more prevalent. The article concludes on how "Cuarón and his production team were meticulous in their re-creation of how things were — and how he remembered them to be. They had hoped to shoot in as many original locations as possible and were able to do that in some cases — including the re-creation of the Corpus Christi massacre, when security forces attacked students during a march in 1971." (Semple, "Mexico City as the Director of ‘Roma’ Remembers It (and Hears It)." "Mexico City as the Director of ‘Roma’ Remembers It (and Hears It)"

                                                             "Oscar Illustration of Roma"

Latino USA - "Love & Walkouts"
February 12, 2019
Bobby Verdugo and Yoli Ríos, East L.A. Walkouts (or Blowouts).

In Latino USA’s podcast, “Love & Walkouts” , it explores the East Los Angeles Walkouts or “Blowouts” where Latino American students sparked a Chicano movement to fight against corporal punishment, mistreatment of Latino students and culture. The podcast focused around two students, Bobby Verdugo and Yoli Ríos, who were seniors at Lincoln High in 1968 that faced the many abuses and errors in the 60’s  and both became part of the movement and later fell in love and got married. I liked this topic because it showed a little love story through all the chaos that was happening around the time. I also liked how Yoli was able to motivate Bobby to go to football practice and regularly attend classes and to this day are still able to motivate others to fight for just rights. Another thing I liked was how Bobby knew the movement was for sure going to happen but he also acknowledged that there was going to be consequences and how he was able to overcome his fears and think about the future.  A couple things I didn’t like were some of the reasons as to why the Latinos were punished which was for speaking Spanish or simply being seen as not worth the time to be taught by the teachers. I also didn’t like how after the school boards had interacted with the students and were willing to hear out their requests, nothing really ever happened after and corporal punishment was still going on even after the walkout.In an L.A. Times article, “East L.A., 1968: ‘Walkout!’ The day high school students helped ignite the Chicano power movement”, it tackles the East side High School movements of the Latino American students specifically at Garfield High School. It was on Tuesday, March 5, 1968 when the students at Garfield High started a walkout and later other East side High Schools started their movements as well such as Roosevelt and Lincoln. The protests were against “run-down campuses, lack of college prep courses, and teachers who were poorly trained, indifferent or racist.” About a week after a total of 22,000 students left class and started their movements. It was known as the “Chicano movement” which was a term coined by urbanized Latino Americans “as an emblem of ethnic pride, cultural awareness and a commitment to community.” The students were a great way of starting up a movement that would help transform the generations for Latino Americans. The article also talks about how The Chicano Youths for Community Action had became the Brown Berets and how a series of protests had followed soon after all the walkouts. I selected this article because it relates to the Walkout that were occurring in the late 60’s around the same time as the Lincoln High walkout with Bobby and Yoli. The article also talks more in depth about the other protests that were going on along with the walkout and how teachers and staff reflected on those earlier times of chaos. The article also talks about how some of the students went on to later become teachers and principals after the Chicano movement.

HBO's Walkout

https://www.latimes.com/nation/la-na-1968-east-la-walkouts-20180301-htmlstory.html